{"id":218,"date":"2018-02-05T08:28:11","date_gmt":"2018-02-05T07:28:11","guid":{"rendered":"http:\/\/blogak.gaztezulo.eus\/goonietarren-gotorlekua\/?p=218"},"modified":"2018-02-05T10:18:44","modified_gmt":"2018-02-05T09:18:44","slug":"gorroto-ditut-oscar-sariak-eta-zuk","status":"publish","type":"post","link":"https:\/\/blogak.gaztezulo.eus\/goonietarren-gotorlekua\/2018\/02\/05\/gorroto-ditut-oscar-sariak-eta-zuk\/","title":{"rendered":"Gorroto ditut “Oscar” sariak eta zuk?"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Askok uste dute, film batek Oscar<\/em> saria irabazten duen unean, automatikoki maisulan izateko eskubidea bereganatzen duela. 1995 urtean, Forrest Gump<\/em> filma Tarantinoren Pulp Fiction<\/em> pelikulari gailendu zitzaiola pentsatze hutsak, ala 10 urte beranduago Crash<\/em> izeneko “bodrio”<\/em> horrek, Spielberg-en Munic<\/em>h ekoizpenari garaikurra lapurtu ziola gogorazteak, sutu egiten nau. Dragoi Bola<\/em> telesailean “Boo ahaltsua” haserretu eta belarrietatik kea botatzen zuen une hori, oso motz geratzen da nire haserrealdiarekin konparatuz gero. Sari banaketa hau, show<\/em> huts eta faltsu bat besterik ez da, AEBtako zinema indartzeko soilik sorturikoa.<\/p>\n

<\/p>\n

\"\"<\/a><\/p>\n

Ez, ez eta ez. Ahaztu behingoz Oscar sarietan dauden filmeak ez dutela zertan urteko ekoizpen onenak izan behar (batzuetan bai jakina). Sari hauen (eta beste askoren) atzean interesak eta dirua besterik ez daude, zirku hutsa besterik ez dira. Bai, dagoeneko nabarituko zenuten Oscar sariak gorroto ditudala. Beno zinemaren munduan antolatzen dituzten sari (ia) guztiak egia esan.<\/p>\n

Hitchcock,\u00a0 Kubrick ala Howard Hawks bezalako izen handiek adibidez, ez dute inoiz ditxosozko sari hau eskuratu. Horrek zer esan nahi du, zuzendari txarrak direla? Mesedez!
\n<\/em><\/p>\n

\"\"<\/a>2012<\/span> <\/span>urtean<\/span> <\/span>Joaquin<\/span> <\/span>Phoenix<\/span> <\/span>aktorea<\/span>\u00a0<\/span> <\/span>“<\/span>The<\/span><\/span> <\/span>Master<\/span>“<\/span><\/em> <\/span>film<\/span> <\/span>zoragarriarengatik<\/span> <\/span>izendatua<\/span> <\/span>izateko<\/span> <\/span>aukerak<\/span> <\/span>zituela<\/span> <\/span>esan<\/span> <\/span>ziotenean<\/span>,<\/span> <\/span>hauxe<\/span> <\/span>nabarmendu<\/span> <\/span>zuen<\/span>:<\/span> <\/span>“<\/span>Erabat<\/span> <\/span>subjektiboa<\/span> <\/span>den<\/span> <\/span>zerbait<\/span> <\/span>dela<\/span> <\/span>argi<\/span> <\/span>dago<\/span>.<\/span> <\/span>Baina<\/span> <\/span>lanbide<\/span> <\/span>bereko<\/span> <\/span>pertsona<\/span> <\/span>jakin<\/span> <\/span>batzuk<\/span>,<\/span> <\/span>beste<\/span> <\/span>batzuen<\/span> <\/span>aurka<\/span> <\/span>jartzea<\/span>,<\/span> <\/span>munduko<\/span> <\/span>gauzarik<\/span> <\/span>inozoena<\/span> <\/span>iruditzen<\/span> <\/span>zait<\/span>.<\/span> <\/span>“<\/span>Walk<\/span><\/span> <\/span>the<\/span><\/span> <\/span>Line<\/span><\/span>“<\/span> <\/span>filmarengatik<\/span> <\/span>sari<\/span> <\/span>mordoa<\/span> <\/span>jaso<\/span> <\/span>nuen<\/span> <\/span>urte<\/span> <\/span>hori<\/span>,<\/span> <\/span>nire<\/span> <\/span>bizitzako<\/span> <\/span>unerik<\/span> <\/span>deserosoena<\/span> <\/span>iruditu<\/span> <\/span>zitzaidan<\/span>.<\/span> <\/span>Ez<\/span> <\/span>dut<\/span> <\/span>gehiago<\/span> <\/span>esperientzia<\/span> <\/span>horretatik<\/span> <\/span>berriz<\/span> <\/span>pasa<\/span> <\/span>nahi<\/span>“<\/span><\/em>
\n<\/span><\/p>\n

\"\"<\/a>

Rachel Morrison argazki zuzendaria<\/p><\/div>\n

Oraindik<\/span> <\/span>matxista<\/span> <\/span>izaten<\/span> <\/span>jarraitzen<\/span> <\/span>duen<\/span> <\/span>zazpigarren<\/span> <\/span>artearen<\/span> <\/span>isla<\/span> <\/span>hori<\/span>,<\/span> <\/span>sari<\/span> <\/span>hauetan<\/span> <\/span>ere<\/span> <\/span>antzeman<\/span> <\/span>daiteke<\/span>.<\/span> <\/span>Aurten<\/span> <\/span>adibidez<\/span>,<\/span> <\/span>90<\/span> <\/span>urtetan<\/span> <\/span>lehen<\/span> <\/span>aldiz<\/span>,<\/span> <\/span>(<\/span>lehen<\/span> <\/span>aldiz<\/span>,<\/span> <\/span>bai<\/span>!<\/span>)<\/span> <\/span>EMAKUMEZKO<\/span> <\/span>argazki<\/span> <\/span>zuzendari<\/span> <\/span>bat<\/span> <\/span>izendatua<\/span> <\/span>izan<\/span> <\/span>da<\/span>:<\/span> <\/span>Rachel<\/span><\/span> <\/span>Morrison<\/span><\/span>,<\/span> <\/span>Mudbound<\/span><\/span><\/em> <\/span>filmean<\/span> <\/span>burutu<\/span> <\/span>duen<\/span> <\/span>lan<\/span> <\/span>bikainagatik<\/span>.<\/span> <\/span>Normala<\/span> <\/span>iruditzen<\/span> <\/span>al<\/span> <\/span>zaizue<\/span>,<\/span> <\/span>ia<\/span> <\/span>ehun<\/span> <\/span>urteetan<\/span> <\/span>lehen<\/span> <\/span>argazki<\/span> <\/span>zuzendari<\/span> <\/span>emakumea<\/span> <\/span>izatea<\/span>?<\/span><\/p>\n

\"\"<\/a>Baina zinemazale naizen bezala, eta justizia egiteko asmoz, aurtengo ditxosozko sari famatu hauetatik kanpo geratu diren ekoizpenak aipatu nahi dizkizuet. Zehatzago izateko, Oscar<\/em> sariek “ahaztu” eta niretzako urteko onenen artean egon beharko luketen pelikulak:<\/p>\n

Good Time<\/strong><\/h1>\n

Zuzendariak:<\/strong>\u00a0Ben Safdie,<\/span> Joshua Safdie<\/span><\/p>\n

\"\"<\/a><\/p>\n

You Were Never Really Here<\/strong><\/h1>\n

Zuzendaria:<\/strong> Lynne Ramsay<\/p>\n

\"\"<\/a><\/p>\n

L’amant d’un jour (Lover for a Day)<\/strong><\/h1>\n

Zuzendaria:<\/strong>\u00a0: Philippe Garrel<\/p>\n

\"\"<\/a><\/p>\n

The Killing of a Sacred Deer<\/strong><\/h1>\n

Zuzendaria:<\/strong>\u00a0: Yorgos Lanthimos\"\"<\/a><\/p>\n

A Ghost Story<\/strong><\/h1>\n

Zuzendaria:<\/strong>\u00a0:David Lowery<\/p>\n

\"\"<\/a><\/p>\n

Jusqu\u2019\u00e0 la garde<\/strong><\/h1>\n

Zuzendaria:<\/strong>\u00a0Xavier Legrand<\/p>\n

\"\"<\/a><\/p>\n

The Nile Hilton Incident<\/strong><\/h1>\n

Zuzendaria:\u00a0<\/strong>Tarik Saleh<\/p>\n

\"\"<\/a><\/p>\n

Insyriated<\/strong><\/h1>\n

Zuzendaria:\u00a0<\/strong>Philippe Van Leeuw<\/p>\n

\"\"<\/a><\/p>\n

Geu-hu<\/strong><\/h1>\n

Zuzendaria:\u00a0<\/strong>Hong Sang-soo<\/p>\n

\"\"<\/a><\/p>\n

The Lost city of Z
\n<\/strong><\/h1>\n

Zuzendaria: <\/strong>James Gray<\/p>\n

\"\"<\/a><\/p>\n

Lucky<\/strong><\/h1>\n

Zuzendaria:\u00a0<\/strong>John Carroll Lynch<\/p>\n

\"\"<\/a><\/p>\n

God’s Own Country<\/strong><\/h1>\n

Zuzendaria:<\/strong>Francis Lee<\/p>\n

\"\"<\/a><\/p>\n

Ekoizpen<\/span> <\/span>bikain<\/span> <\/span>hauek<\/span>,<\/span> <\/span>izendatuen<\/span> <\/span>artetik<\/span> <\/span>kanpo<\/span> <\/span>geratu<\/span> <\/span>direla<\/span> <\/span>ikusi ostean<\/span>,<\/span> <\/span>aurten<\/span> <\/span>ere<\/span>,<\/span> <\/span>“<\/span>Oscar<\/span>“<\/span> <\/span>sariak<\/span> <\/span>gorroto<\/span> <\/span>ditudala<\/span> <\/span>esan<\/span> <\/span>behar<\/span> <\/span>dizuet<\/span>.<\/span> <\/span>
\n<\/span><\/h2>\n","protected":false},"excerpt":{"rendered":"

Askok uste dute, film batek Oscar saria irabazten duen unean, automatikoki maisulan izateko eskubidea bereganatzen duela. 1995 urtean, Forrest Gump filma Tarantinoren Pulp Fiction pelikulari gailendu zitzaiola pentsatze hutsak, ala 10 urte beranduago Crash izeneko “bodrio” horrek, Spielberg-en Munich ekoizpenari garaikurra lapurtu ziola gogorazteak, sutu egiten nau. Dragoi Bola telesailean “Boo ahaltsua” haserretu eta belarrietatik […]<\/p>\n","protected":false},"author":25,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[14,15],"_links":{"self":[{"href":"https:\/\/blogak.gaztezulo.eus\/goonietarren-gotorlekua\/wp-json\/wp\/v2\/posts\/218"}],"collection":[{"href":"https:\/\/blogak.gaztezulo.eus\/goonietarren-gotorlekua\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogak.gaztezulo.eus\/goonietarren-gotorlekua\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogak.gaztezulo.eus\/goonietarren-gotorlekua\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/blogak.gaztezulo.eus\/goonietarren-gotorlekua\/wp-json\/wp\/v2\/comments?post=218"}],"version-history":[{"count":34,"href":"https:\/\/blogak.gaztezulo.eus\/goonietarren-gotorlekua\/wp-json\/wp\/v2\/posts\/218\/revisions"}],"predecessor-version":[{"id":270,"href":"https:\/\/blogak.gaztezulo.eus\/goonietarren-gotorlekua\/wp-json\/wp\/v2\/posts\/218\/revisions\/270"}],"wp:attachment":[{"href":"https:\/\/blogak.gaztezulo.eus\/goonietarren-gotorlekua\/wp-json\/wp\/v2\/media?parent=218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogak.gaztezulo.eus\/goonietarren-gotorlekua\/wp-json\/wp\/v2\/categories?post=218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogak.gaztezulo.eus\/goonietarren-gotorlekua\/wp-json\/wp\/v2\/tags?post=218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}